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The War on Drugs is a racial minefield, but not only are all drugs here sold by a white American woman,her main victims are characters’ white and often affluent friends.
Depending on your point of view, this either explodes stereotypes about addicts, or sidesteps controversy by pushing people of color to the background.
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Meanwhile, was rooted in mundane class conflict, keeping Eggsy tied to his shiftless family and council flat.Working with a larger budget, Vaughn and co-writer Jane Goldman build their own enjoyably cartoonish world, including a secret headquarters in a towering distillery and a 1950s-style small-town Main Street hidden among Cambodian ruins.Eggsy’s new nemesis is the unsubtly named Poppy (Julianne Moore), a saccharine, nostalgia-obsessed sociopath with a monopoly on the world drug trade.creators can write passable female characters, although there are precious few women in the series.